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- <text id=91TT1796>
- <title>
- Aug. 12, 1991: Come to the Cabaret!
- </title>
- <history>
- TIME--The Weekly Newsmagazine--1991
- Aug. 12, 1991 Busybodies & Crybabies
- </history>
- <article>
- <source>Time Magazine</source>
- <hdr>
- THEATER, Page 62
- Come to the Cabaret!
- </hdr><body>
- <p>In New York City and around the country, you can have dinner, sing
- along, join a conga line, judge a beauty contest, be a murder
- suspect...and see a play
- </p>
- <p>By Richard Corliss--Reported by William Tynan/New York, with
- other bureaus
- </p>
- <p> New York City restaurant tips you won't find in any New
- York restaurant guide:
- </p>
- <p> 1) For the finest beef kabob in a three-block radius, try
- the Asian Appetizers at Freddy's Song of Singapore Cafe. 2) At
- Steve McGraw's, munch on Jinx's '50s-style Rice Krispie Treats.
- You'll go snap crackle doo-wop! 3) The barbecued chicken is
- tangy at the Blue Angel, a stone's throw from Times Square. 4)
- Sip an oversize Manhattan--the cocktail of choice for
- sophisticated Gothamites--at Theater East. 5) Adam's Apple
- offers salad, shrimp, chicken and ice cream--cafeteria food
- at its most authentic! 6) At the Village Gate, savor the gooey
- goodness of the Fluffernutter sandwiches, just like Mom used to
- make--in a brown paper bag.
- </p>
- <p> Oh, and not at all by the way, they also serve theater at
- these bistros and boites. It's the latest, cheeriest and, for
- the consumer, most economical show-biz trend: Silly Cabaret.
- How silly? Audiences get to be part of the foolishness. They
- can join a conga line at Song of Singapore (1), play Heart and
- Soul with the nerdish vocal quartet in Forever Plaid (2), be a
- beauty-contest judge at Pageant (3), hum along at Forbidden
- Broadway 1991 1/2 (4), be a suspect in the whodunit plot at a
- Hasselfree murder mystery (5) or stand to recite the Pledge of
- Allegiance at Prom Queens Unchained (6). For warm-weather
- theatergoers in search of an easy evening out, the shows provide
- organized fun with a hip parodic wink--a blend of summer camp
- and...summer camp.
- </p>
- <p> To catch participatory theater, play-goers needn't come to
- New York. It's in venues around the country. Tamara, the
- Canadian play that leads audiences on a chase through a villa
- in pursuit of sex and intrigue, is the longest-running show in
- Los Angeles history (seven years); it also did a 2 1/2-year
- stint in Manhattan. Shear Madness, a mystery comedy in which
- audience members give suspects the third degree, has run in
- Boston for 11 years, Chicago for nine and Washington for three.
- San Diego, Houston, Miami and Philadelphia all boast
- dine-and-deduce thrillers. In Tony n' Tina's Wedding, revelers
- trek from a marriage ceremony at a real church to a contentious
- reception at a nearby restaurant. The play, in its fourth year
- in New York, has mounted productions in five other cities. A
- similar show, Frankie and Angie Get Married, is a solid Atlanta
- hit.
- </p>
- <p> New York, though, is cabaret Mecca these days--a ripe
- satisfaction for the creators, some of whom toiled five or six
- years to put on their show. Forever Plaid, a year old, has built
- a coterie of fans; President Bush's brother Jonathan has seen
- the show seven times and held his birthday party there. "It's
- no longer enough to go to the theater and just sit and stare,"
- says Jonathan Scharer, producer of Pageant and Forbidden
- Broadway. "People have more fun when they can have a drink and
- relax, cool off and feel comfortable."
- </p>
- <p> Not all the New York shows provide classic entertainment.
- Prom Queens is a way-too-familiar pastiche of '50s high school
- intrigue and sci-fi frissons; it plays like Little Shop of
- Grease. Hasselfree's The Edge of the Knife, with a soap-opera
- setting, gets most of its humor from the audience; participants
- are asked to guess the murderer's identity and motive. A bit
- higher up the food chain, Forever Plaid uses the singers'
- plangent harmonics to camouflage a thin book. And you need a
- doctorate in Broadway shows and lore to get all the jokes in the
- new edition of Forbidden Broadway--but for insiders, and good
- guessers, the musical malice has its own witty thrill.
- </p>
- <p> At the very least, theatergoers get an inexpensive night
- out: food-and-entertainment packages range from $33 (Prom
- Queens) to $75 (Tony n' Tina's top). At best, as in Song of
- Singapore and Pageant, audiences are reminded of theater's power
- to create a world out of song and shadow--to offer circus and
- stage, nightclub and Kiwanis Club, in one beguiling bundle.
- </p>
- <p> And what could be more entrancing than the six beauties in
- Pageant? They are finalists in the Miss Glamouresse contest,
- emceed by Frankie Cavalier (J.T. Cromwell), a showman with
- hilarious hair and dimples divine. The young ladies perform in
- swimsuit and talent competitions; Miss Bible Belt (Randl Ash),
- whose "hobbies include prayer and fasting," sings the
- rafter-raising hymn Bankin' on Jesus and speaks in tongues. The
- contestants also hawk the new Glamouresse products: Lip Snack,
- a beauty and food aid ("the prettiest protein you'll ever eat");
- Smooth-as-Marble Facial Spackle, for the large-pored gal; and
- the environmentally correct Hair Aware with Air Repair ("in a
- virtually asbestos-free canister"). But the goal of these living
- Barbie dolls is higher than mere commerce. They are embodying
- a woman's unique role: to look beautiful "so the world is a
- better place and men have something nice to look at while they
- run it."
- </p>
- <p> The contestants are nice to look at--knockouts, a couple
- of them. They are also played by men. This twist gives the
- burlesque a wierd glow and cues some wonderfully precise writing
- and acting. Pageant, conceived and directed by Robert
- Longbottom, never degenerates into drag queens unchained. Like
- Miss Industrial Northeast (Joe Joyce), who roller-skates while
- playing the Sabre Dance on her accordion, the show is perfectly
- poised on the precipice of farce. And like Miss West Coast (John
- Salvatore), who performs an interpretive dance called "The Seven
- Ages of Me," Pageant is all about ego and the denial of self--about the eagerness of Americans to let others, even a cosmetics
- manufacturer, define what will make them feel lovelier and more
- loved. It is also the funniest spectacle in or outside a
- cabaret.
- </p>
- <p> And Song of Singapore is the most gorgeous. Even the lobby
- is exotic: red lacquer walls, Oriental screen and chandelier.
- You climb a flight of stairs and are greeted by a hostess,
- statuesque in a turquoise mandarin-collar dress. Then you enter
- a cavernous hall, festooned with birdcages and red lanterns. It
- is December 1941 and this is Freddy's Song of Singapore Cafe,
- and the dance floor in front of the bandstand is crowded with
- couples. Other patrons sit at the surrounding tables, drinking
- "Singapore libations" or ordering a light dinner. A
- photographer, PRESS card stuck in the band of her fedora, snaps
- your picture. Everyone, young and old, is living it up. The show
- hasn't started and already there's more dazzle and camaraderie
- than at a $100-a-seat Broadway behemoth.
- </p>
- <p> The show (held in a Polish Army Veterans meeting hall
- voluptuously reimagined by designer John Lee Beatty) is as
- handsome as its setting. Forget the plot--we have--about
- stolen jewels and an amnesiac chanteuse. As directed by A.J.
- Antoon, Singapore is all deft showmanship. Its songs are joyous
- evocations of razzmatazz jazz; its jokes propel the story and
- tickle the customers; its actor-musicians seem a true ensemble,
- guys who have gigged together for years and are having too much
- fun to stop. (No surprise here: three of them are
- writer-performers who have been developing the show since 1983.)
- And as the dazed chanteuse, charismatic Donna Murphy exudes a
- Rita Hayworth musk through a Sarah Vaughan voice. In her we have
- seen the '40s afresh, and we are in love.
- </p>
- <p> Bankrolled at $1 million, Song of Singapore is the most
- lavish of the new shows. But it earns your money, as does the
- more modest Pageant, by expending ingenuity. It demolishes the
- imaginary fourth wall--the one that separates movie and TV
- viewers from the action on the screen--with comedy,
- atmosphere, music, magic.
- </p>
- <p> Theatergoers of the world, delight! Take a fast boat to
- New York and a taxi to Singapore. Drinks are on us.
- </p>
-
- </body></article>
- </text>
-
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